The Nylon Curtain is the eighth studio album from singer-songwriter Billy Joel and was released on September 23, 1982. The album delves into the theme of pessimism and worry over the uncertain future following the Vietnam war and the societal upheaval that started in the 60s with the widespread disillusionment in the American dream. It is one of Joel’s most sonically distinct albums with the tracks steering away from the traditional pop-rock hit that the artist is well known for into a more mature and unique sound focused more on creating a certain atmosphere than getting stuck in the listener’s head. Billy Joels tenor vocals act as the voice of the everyday man as he narrates the sorrows and struggles of the era but still maintains a hopeful and resolute resolve in the future.
The opening track off The Nylon Curtain, “Allentown” is an anthemic tune which vividly recreates the feelings of restlessness and angst felt by the postwar generation. Despite the challenging times anticipated by the song, the steady piano chords suggest a sense of optimism through hard work and determination. The album continues with “Laura” a dynamic piece which describes the toxic effect a person can have on one’s life. The track begins in a major key with a catchy verse before moving onto the chorus which is grating and uncomfortable on first listen using jarring chords and a tense vocal line. As is to be expected, the songwriting on the bridge is superb and I can’t get enough of the open hi hats (I think that’s what they are) in that section. Next is “Pressure”, an extremely relatable song which effectively communicates the feeling of stress and anxiety that we have all felt at on point or another. The slightly hectic synth motif that plays at the beginning of the song and the chorus is not only very catchy but perfectly encapsulates the frenetic and chaotic energy of the song. “Goodnight Saigon” showcases the serious side of the album with a long and slow introduction which gradually builds into a booming chorus. The imagery of the Vietnam War from the soldiers’ point of view is deeply moving and the by the time the chorus finally hits three minutes in it can’t help but rally the listener’s spirit. The verse has a hauntingly beautiful quality which is complemented wonderfully by Joel’s innocent and expressive voice. The song serves as a symbol of the strength we have together and a reminder of the human face behind every large movement and conflict. The album continues with “She’s Right on Time” which brings back the positive energy of two people in love finally coming together. Once again, Billy Joel writes a good melody but an even better bridge which has a killer melody. Next is “A Room on Our Own” which is reminiscent of “Laura” describing a rocky relationship and the need for space amidst conflict. The song features a keyboard solo which is fun to hear although the repetitive production and lackluster tune make the song forgettable in the long run. The next song, “Surprises” is catchy but lacks the emotional depth of previous tracks on the record. Even so, it is still a fun tune with a dynamic melody and good light-rock production. Continuing on, “Scandinavian Skies” is a weird song which goes on for a while and doesn’t have the typical pop form of Billy Joel’s other work. However, its use of strings and contrasting section make it a very interesting track with a lot going on. “Where’s the Orchestra” is the closing track on the album and is much similar to the typical Billy Joel standards. It has a beautiful clarinet accompaniment and a simple piano backing. Joel’s melody is engaging and soulful while the song tells us to take life for what it is. As a nice touch the tune of “Allentown” makes a return in the orchestral finish to the track.
To finish, The Nylon Curtain is a fantastic album which brings Billy Joel’s undeniable songwriting ability to a more interesting sound and subject matter. While the pop ballads are not as catchy, the emotion and depth present in the album more than enough makes up for this. I would recommend that everyone listen to The Nylon Curtain at least once.